Showing posts with label American venuses. Show all posts
Showing posts with label American venuses. Show all posts

Birthday Venus: Lourdes Ann Kananimanu Estores




Today is Agent Triple P's birthday.  Not many famous people share this birth date with Triple P but one who does is the luscious Lourdes Ann Kananimanu Estores who was Playboy's Playmate of the Month for June 1982.  This picture of her (above) is one of our all time favourite Playmate pictures of the eighties.  Fluffy!




The nineteenth of twenty children (!) she worked as an assistant for a politician in her home state of Hawaii, then was a stewardess on Delta airlines for more than a decade and was selected to be a torch bearer for the 1996 Atlanta Olympic torch relay.  She is two years older than Agent Triple P.


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Centrefold Venus of the Month 44: Marilyn Connor, January 1977




This month's centrefold takes us back an amazing 37 years to January 1977.  We say it's amazing because we can still remember first looking at this pictorial shortly after it came out and being stunned by it and it doesn't seem that long ago!




We saw this pictorial in a copy of the UK edition of Penthouse which someone brought along to school.  We hadn't actually seen a men's magazine since the previous summer and hadn't been aware of the increase in explicitness which had taken place in the previous six months. 




Interestingly, at this time, we had just acquired (or, more properly, she acquired me) our first real girlfriend who had joined the local archery club which Triple P had also just joined as it meant that we could avoid games at school, as we were allowed to substitute it for organised activities.   This was important as in the autumn and winter terms it was a choice between, football, rugby or cross country running.  Now the only sport Triple P was any good at was 400m running so running miles in the cold wasn't quite our thing.  After a quarter of a mile our legs seized up and we had to walk the rest of the way which took ages.  Anyway, this girl, A, was really, really pretty.  Up until this point we had largely been impressed by women's figures to the exclusion of faces but this girl switched us on to the erotic power of the face.




This young lady, Marilyn Connor, had, Triple P thought at the time, a really lovely face too and we have not since changed our mind, either.  Obviously, photographer Stan Malinowski thought the same as well.






Malinowski took Marilyn to the ski resort of Aspen, Colorado during the summer for these pictures and, unlike any other man's magazine at the time (and even more so now), included some scenic shots of the surroundings with no trace of Marilyn in them at all.  






No doubt it was a great opportunity for Malinowski to show off his photographic credentials and the pictures certainly add to the pictorial, getting over a tremendous sense of place.  Some of them look like Japanese woodblock prints and they must have appealed to Bob Guccione's artist's sensibilities as he let so many of them appear in the final pictorial.




One of the things we like about Penthouse pictorials from this period is that there would often be quite a lot of shots of the girls fully dressed which, somehow, rooted them more in reality as people rather than pieces of meat, as Larry Flynt once described the women in men's magazines at the time.















So we have no less than eight non-nude shots of Marilyn in the pictorial, split between the outdoor and interior locations of the shoot.




In addition we have three close up portraits of her face or partial face confirming her outstanding beauty.






The pictorial's first shot of her naked has her perched on a rock like some form of dryad.  There is one of her up in the woods where she looks equally classical and rather like one of those Weimar Republic photographs of a healthy German maiden striking a pose in the countryside as she exposes her perfect (35-23-36 in Marilyn's case) body to the health giving (as they then thought) rays of the sun. 




It takes some time before we start to get some more Penthouse style shots but we begin with this group of interior shots, where Marilyn has to struggle against some typically garish seventies prints.




Penthouse loved its mirror shots and here we have an interesting variation on them, focussing on Marilyn's superb legs reflected in a mirrored corner.  Penthouse said she was five foot eight and she looked it.




At a time when Penthouse was asking its models increasingly to play with their pussies we got just this one effective shot of Marilyn probing inside her knickers.




Her tan lines seem to barely contain the gorgeously fluff pussy that emerges from underneath her sheer knickers.




This impressively lit shot was one of those that impressed Triple P all those years ago, as the light illuminated that brazenly displayed pussy and shockingly glimpsed anus.




There were two shots in that Aspen staple, the hot tub. although as there weren't any in Britain at the time we probably couldn't have identified it as such.  The breast squeezing one harks back to the early days of Penthouse when such poses were characteristic.








The final three shots in the pictorial really impressed Triple P as well.  More used to the pale and doughy young women in the likes of Mayfair, which was then more popular at school because it used some well known Page 3 models, we had never seen a woman photographed who looked like she was dripping in sweat like this.  Even now we look at this final photograph and can almost smell her.




Sadly, Marilyn never appeared again in Penthouse and we haven't been able to identify her in any other magazines of the period either.  We have some outtakes from the magazine sessions and the first one is from the rock dryad setting.






The next two are interesting in that they show the full outfit she was wearing in the mirror shot of her legs from the magazine pictorial.  




Here is another interior shot of her in the white stockings.  These shag pile carpets were very popular in the seventies especially in inappropriately bright colours!  Triple P had an orange one in his bedroom!






Here we can see her putting on her towelling bathrobe ready for a good roast in the sun.  We hope she didn't burn herself in the sun, especially as she was at altitude.  Triple P remembers that at this time we used sun cream that was a massive factor four. 






Here is Marilyn looking delightfully sweaty again.  We spent a very hot August in Rome once, when most sensible Italians had got out of the city, and can remember our Italian girlfriend, I, sunbathing naked like this by the pool in the garden of her house south east of the Circus Maximus.  We certainly enjoyed her slick, sweaty sunbaked skin.







The final two are remarkable in that Malinowski chooses to ignore Marilyn's eyes thus bringing her luscious lips into full focus.   The top one makes her tits absolutely tactile: you just want to squeeze them and suck them.  The bottom shot is all about that deliciously pink damp cunt.  A lovely, salty, lickable treat!

So we like Marilyn as, for Triple P at the time, it was a very different sort of man's magazine pictorial and all the better for it.  The 1977 Pets of the Month had some all time classic pictorials amongst their number and this is certainly one of them.

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Venus Returns 2: Lui issue 3




We continue to persevere with the new Lui magazine and after a visually disappointing second issue we find the third slightly more sensual, pictorially.  The cover is certainly provocative enough, with the impossibly elongated body of Lithuanian model Edita Vilkeviciute displayed in their most revealing cover to date.


 


The second issue dispensed with the  pin-up illustration page but we are glad to see that they have reinstated the feature with the December issue.  This month's effort is a watercolour by French fashion illustrator Marc-Antoine Coulon.




Although Edita had already featured in a pictorial in the November issue they brought her back for a seaside shoot which actually had some colour saturation to it and wasn't washed out into pastel anemia.  This swimsuit shot features a tactile looking camel toe too.  




In and out of a series of little mesh outfits, or decorated by stripes of light and shade, we find New York based North Carolina-born model Martha Hunt.  There are credits for the manufacturer of what few clothes she does wear in the pictorial, of course.




A more overtly fashion featured pictorial photographed by Tom Munro follows featuring Danish model Josephine Skriver.  A bit more passion in this one than the previous month's equivalent which featured a young woman and a much older man and was slightly creepy as a result.




The next pictorial even has a ribbon of fluff on display as 20 year old American Maggie Duran poses for South African photographer Henrik Purienne.  This pictorial is mercifully free of product placement information;  probably because Maggie isn't wearing anything in most shots.




The 5'9" tall  Maggie has elicited some comment from the fashion establishment or posing naked so early in her career.  Her pictorial is the best and most traditional in the magazine: it's like Penthouse circa 1971.




Finally, we have Catalan/Basque actress, comedienne and singer Victoria Olloqui who was brought up in Switzerland.   Just the sort of minor starlet that old Lui used to regularly showcase in its previous incarnation but suffering from the flash on the camera sloppy style of lighting so popular at the moment.
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Centrefold Venus of the Month 47: Sandy Bernadou, April 1976



We make no apologies for another mid-seventies Penthouse Pet as April's Centrefold of the Month.  Yes, we know it's not April but we have a considerable backlog.  Anyway, here is the lovely Sandy Bernadou from 1976.




Sandy didn't make the cover of the magazine, unusally, that was reserved for another of the models inside, Georgina Crown, photographed by Allan Neumann.




Sandy's shoot was photographed by Jeff Dunas and in the opening picture of her pictorial he has her in full-on boudoir mode, complete with typical Penthouse out of focus foreground flowers.




Sandy is only shown wearing a couple of different outfits in the pictorial.  The first one is this nice lacy camisole.  The hint of a smile enlivens Sandy's pictorial no end.




This close up shows us her remarkable green eyes; cleverly highlighted by the inclusion in the shot of...er, a a parrot. I think Sandy was the first Penthouse Pet to be depicted with a parrot.  Who's a pretty girl, then?




Maybe the parrot was chosen because it went with the dress that features in the next sequence of shots (or maybe the parrot was chosen because it went with the dress).  It's certainly a striking colour and is one of the things we remember about the pictorial, which we first saw at school. 






Sandy was 35-23-35 the text accompanying the pictorial told us.  It also told us that she was brought up in he Sierra Nevada mountains in California and was an outdoorsy girl who liked hiking and surfing.




For the time this was a remarkably assertive pussy touching picture and shooting it through the chair in the foreground frames her questing fingers beautifully.  




Here her dress has gone but she is still wearing her scarf as she feels herself up, in another typical Penthouse pose.








The final shots and her centrefold were some of the most explicit shots Penthouse had shown to date, in what was the height of the Pubuc Wars with Playboy.  Sandy's pussy shots were remarkable because they lacked the extreme soft-focus used in the previous Penthouse pictures.  Her extremely assertive centrefold picture was absolutely the most explicit they had published so far.  It's the challenge in her eyes which makes it look as if she is saying "I'm a beautiful girl, with a beautiful pussy and I don't care what you think!"




Sandy, unlike many Penthouse girls of the period, didn't disappear completely after her magazine appearance.  In March 1979 she appeared on the cover of Oui, shot by Playboy photographer Phillip Dixon.  Given the recent conservatism over covers in men's magazines in the US her nipple-flashing lace catsuit was quite daring for the time.


Sandy is the middle of the three women


Inside there was a pictorial, also by Dixon,  featuring a Frenchman and three women singers from a Parisian cafe.  Interestingly, in the pictorial it is one of the other girls who wears the lace catsuit that Sandy so fetchingly sports on the cover.


Sandy at left


 Sandy at left


 Sandy gets her bottom kissed


Sandy displays


Sandy interacts with the blonde


 Sandy at left


Sandy at rear


The pictorial in the magazine is hampered by rather too many small images but it is nice to see a Penthouse Pet appearing in another pictorial.  Too many of them posed once and were never seen in print again.




In her Penthouse feature she said that she was studying telecommunications at college but wanted to get into acting.  The only other sighting of Sandy we could find was from her appearance in the early Andy Sidaris film Seven (1979).  This was very much the prototype for a series of B movies which former sports film director Sidaris would make in the eighties and nineties.  They were low budget action films, often using Hawaiian locations, with their one redeeming feature being the fact that he employed a bevy of Playboy Playmates and Penthouse Pets to decorate them, offering a rare, pre-video, opportunity to see them in motion.    


Sandy plays waitress Rhonda in Seven


Seven (also known as Sevano's Seven) featured Playboy Playmates Susan Lynn Kiger (in quite a big role), Lee Ann Michelle (in reality Page 3 girl Carol Needham demonstrating all the acting talent of a speak your weight machine) and Sandy (quite a good actress, actually).






Sandy doesn't remain in her waitresses uniform for long and soon indulges in a bizarre scene where she strips off and gets into a silly string fight with Richard LePore whose character, the Professor, would return in another of Sidaris' cheap thrillers in the mid eighties.  Sandy, appearing here as Sandra, would have just one more film credit in the Tony Curtis starring TV movie Million Dollar Face in 1981 and then she would disappear from public gaze.  She was nineteen when her Penthouse pictorial appeared.




Sandy's real name was Sande, although Bernadou was her real last name, and  she hailed from Auburn in California where she was voted Miss Auburn in 1974.  She graduated from Placer High School in 1975 and shortly after that left to move to Los Angeles and her date with Penthouse.




Apparently she led a happy life after her brush with fame, which was certainly not always the case for centrefolds, but tragically died in March 2011 at the age of 54 after a brief illness.  Another lovely woman gone too early.


Credits from Seven (1979)
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